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Revisiting Gage
“…truth is not one thing, or even a system. It is an increasing complexity. The pattern of the carpet is a surface. When we look closely, or when we become weavers, we learn of the tiny multiple threads unseen in the overall pattern, the knots on the underside of the carpet.”—Adrienne Rich, “Women and Honor.”
I recently revisited the Matilda Joslyn Gage House in Fayetteville, New York. It was something of a pilgrimage, as I consider her one of my spiritual foremothers. In fact, I took her last name as my own.
The visit brought to mind a quotation by the lesbian poet Adrienne Rich, on the subject of truth. She spoke of it as an “increasing complexity.” Historically, I have preferred my truth monochrome, monothematic—because I find comfort in certitude. It’s a near relation to rectitude, and rectitude purchases indemnity. But I digress.
I recently revisited the Matilda Joslyn Gage House in Fayetteville, New York. It was something of a pilgrimage, as I consider her one of my spiritual foremothers. In fact, I took her last name as my own.
The visit brought to mind a quotation by the lesbian poet Adrienne Rich, on the subject of truth. She spoke of it as an “increasing complexity.” Historically, I have preferred my truth monochrome, monothematic—because I find comfort in certitude. It’s a near relation to rectitude, and rectitude purchases indemnity. But I digress.
Matilda Gage was a Suffrage worker. She was part of a triumvirate, with Elizabeth Cady Stanton and Susan B. Anthony. They were the leaders and the strategists of the movement. They hung out together. They were comrades-in-arms and best friends... until they weren’t. And that moment came in 1890, when Gage discovered that Anthony had gone behind her back to recruit Stanton in brokering a deal to merge the National Women's Suffrage Association with a rival Suffrage organization made up of conservative, Christian women. Gage woke up to find herself ousted from the organization she had helped lead for twenty years... and well on her way to being written out of history.
This was why I had chosen to be her namesake, actually: Because Gage had refused to compromise her principles in the name of expediency. She would not compromise in her opposition to a “white-women-only” Suffrage campaign, nor would she compromise on her opposition to the Church. In fact, she had written an entire book, Woman, Church and State, unmasking the misogyny of Christian history, supporting her thesis that the exploitation of women was not some oversight or side effect of Christianity, but was it’s entire raison d’être. In other words, Christianity could not be redeemed.
I loved Gage’s radical vision. I loved her refusal to compromise, even when it cost her so dearly.
This was why I had chosen to be her namesake, actually: Because Gage had refused to compromise her principles in the name of expediency. She would not compromise in her opposition to a “white-women-only” Suffrage campaign, nor would she compromise on her opposition to the Church. In fact, she had written an entire book, Woman, Church and State, unmasking the misogyny of Christian history, supporting her thesis that the exploitation of women was not some oversight or side effect of Christianity, but was it’s entire raison d’être. In other words, Christianity could not be redeemed.
I loved Gage’s radical vision. I loved her refusal to compromise, even when it cost her so dearly.
But, standing in the Gage House nearly three decades after taking her name, I found myself revisiting my own history as well as hers. And her history was that of a married, middle- class woman with four children and a husband who supported her. Gage did not have to earn her living, nor did she have to worry about how she would survive in old age.
My history, since coming out, had been that of a low-income, single lesbian who supported herself largely through touring around the country and giving lectures and performances. Standing in the Gage House, I realized with a jolt that my life experience had more in common with that of Susan B. Anthony—a single, working-class lesbian who supported herself with public speaking—than with Matilda Gage.
And this realization caused me to revisit that historic betrayal of 1890.
My history, since coming out, had been that of a low-income, single lesbian who supported herself largely through touring around the country and giving lectures and performances. Standing in the Gage House, I realized with a jolt that my life experience had more in common with that of Susan B. Anthony—a single, working-class lesbian who supported herself with public speaking—than with Matilda Gage.
And this realization caused me to revisit that historic betrayal of 1890.
Susan B. Anthony had co-founded the first Women's Temperance Movement with Elizabeth Cady Stanton as President. That movement has been mocked as a bunch of tee-totaling Miss Grundies attempting, with hysterical fervor, to police the harmless dissipation of others. In fact, it was a movement of battered women, of activists against domestic violence. It was a movement of survivors of sexual abuse and especially of incest. In the early nineteenth century, a married woman could not own property, could not inherit, could not own her own wages, could not own her own children. Wife-beating and marital rape were legal, and any woman attempting to seek relief through the courts would face an all-male jury. The woman who married an alcoholic was in for a lifetime of terror and abuse, and so were her children. Outlawing liquor appeared to be the quickest way to seek relief legislatively from this nightmare, and the Church was more inclined to support temperance than women’s enfranchisement.
Anthony’s roots were in this movement of survivors. The personal stories of suffering that she encountered would be familiar to any rape crisis or shelter worker. The needs were immediate: shelter, food, protection, medical attention, social services for the children.
Anthony had moved away from the temperance movement to the movement for Suffrage, but those roots and those experiences continued to inform her activism. Standing in the Gage House, which is in a lovely middle-class neighbhood of large houses with landscaped yards, I began to experience the increasing complexity of that so-called betrayal.
Anthony’s roots were in this movement of survivors. The personal stories of suffering that she encountered would be familiar to any rape crisis or shelter worker. The needs were immediate: shelter, food, protection, medical attention, social services for the children.
Anthony had moved away from the temperance movement to the movement for Suffrage, but those roots and those experiences continued to inform her activism. Standing in the Gage House, which is in a lovely middle-class neighbhood of large houses with landscaped yards, I began to experience the increasing complexity of that so-called betrayal.
Gage’s uncompromising stance, pristine in its radicalism, could have delayed Suffrage by decades--or even centuries, depending on how deeply the Church was alienated. How would that position read to a woman like Anthony? Might it not look like a function of class privilege? Gage, with her feminist and middle-class husband, might be willing to die before seeing her goals realized, but for women in desperate circumstances, delay could be fatal. Even limited power, limited Suffrage, would be a foot in the door, a toehold… a something for so many women who had nothing. And these conservative Christian women had resources, lots of them. Was it easier for a woman who was not needing to support herself to turn down that money on principle than for a woman scraping out a living on the lecture circuit? A woman for whom marriage could never be an option?
I remembered the words of Florynce Kennedy: “'Nothing but the best for the oppressed' translates to ‘nothing for the oppressed.’” And I remembered the words of another legendary activist, Bernice Reagon Johnson: “If you’re in a coalition and you’re comfortable, you know it’s not a broad enough coalition.”
I remembered the words of Florynce Kennedy: “'Nothing but the best for the oppressed' translates to ‘nothing for the oppressed.’” And I remembered the words of another legendary activist, Bernice Reagon Johnson: “If you’re in a coalition and you’re comfortable, you know it’s not a broad enough coalition.”
And Anthony was lesbian. Let us never forget that. She did not love men, did not want men. She desired women. She understood that her tribe could never experience security or domesticity in our relationships until women had equal access to education and to jobs. In 1890, she was seventy, in an era before Medicare and Social Security. She was also often desperately lonely in her touring work. One of her lovers had been Anna Dickinson, who also supported herself as a public speaker. How much could Stanton with her seven children and Gage with her four understand about their lives? And, it is important to remember that the temperance movement leader was Frances Willard, also a lesbian.
Was it Gage who betrayed Anthony in her refusal to compromise, holding their Suffrage organization hostage to a radical vision that was so far ahead of its time? It was easy for Gage to explore spiritualism and other metaphysical systems, when she was not dependent upon the Church as a support system that could provide community, emergency health care, and financial relief, as well as ideological support for the purity and sanctity of womanhood--a lifeline to women struggling with the contempt and violence of their spouses. How relevant would the historical violations of the Church be to these women who had nowhere to turn but the Church? Was it realistic to expect them to catch up to doctrines of radical feminism in their lifetimes?
I left the Gage House overwhelmed. It was difficult to resist the temptation to think I had been wrong. Right and wrong have no place in “increasing complexity.” The world has need of radical and visionary thinkers, as well as for the pragmatic, on-the-ground, coalition-building, compromise-making activists. There will always be a tension between the two positions, and that tension can provide a healthy check against the excesses to which each is liable.
The Gage House stood as a bulwark of rectitude for me in my younger days, when I was in the process of reinventing myself. Today my appreciation of it has increased in complexity. Today it is an invitation to go deeper, to challenge everything--even to examine my beloved foremother through the lens of working-class, lesbian activism.
Take a tour of the Matilda Gage House website. This essay, narrowly focused on a specific facet from my own experience, does not in any way do justice to this remarkable woman, who did "walk her talk" in so many radical ways. Her home was on the Underground Railroad, and, because of her coalition work with Native women in her area, she was adopted into the Wolf Clan of the Mohawk Nation. Her son-in-law, L. Frank Baum, would author the beloved Oz books, with their gender-bending heroines. Her crusade for separation of Church and State is especially relevant today. Sally Roesch Wagner is the visionary and pragmatic Executive Director of the Gage Foundation, and, I am privileged to say, a friend and colleague.
Was it Gage who betrayed Anthony in her refusal to compromise, holding their Suffrage organization hostage to a radical vision that was so far ahead of its time? It was easy for Gage to explore spiritualism and other metaphysical systems, when she was not dependent upon the Church as a support system that could provide community, emergency health care, and financial relief, as well as ideological support for the purity and sanctity of womanhood--a lifeline to women struggling with the contempt and violence of their spouses. How relevant would the historical violations of the Church be to these women who had nowhere to turn but the Church? Was it realistic to expect them to catch up to doctrines of radical feminism in their lifetimes?
I left the Gage House overwhelmed. It was difficult to resist the temptation to think I had been wrong. Right and wrong have no place in “increasing complexity.” The world has need of radical and visionary thinkers, as well as for the pragmatic, on-the-ground, coalition-building, compromise-making activists. There will always be a tension between the two positions, and that tension can provide a healthy check against the excesses to which each is liable.
The Gage House stood as a bulwark of rectitude for me in my younger days, when I was in the process of reinventing myself. Today my appreciation of it has increased in complexity. Today it is an invitation to go deeper, to challenge everything--even to examine my beloved foremother through the lens of working-class, lesbian activism.
Take a tour of the Matilda Gage House website. This essay, narrowly focused on a specific facet from my own experience, does not in any way do justice to this remarkable woman, who did "walk her talk" in so many radical ways. Her home was on the Underground Railroad, and, because of her coalition work with Native women in her area, she was adopted into the Wolf Clan of the Mohawk Nation. Her son-in-law, L. Frank Baum, would author the beloved Oz books, with their gender-bending heroines. Her crusade for separation of Church and State is especially relevant today. Sally Roesch Wagner is the visionary and pragmatic Executive Director of the Gage Foundation, and, I am privileged to say, a friend and colleague.
We need to examine just what choices women make and why?
Matilda Joslyn Gage is heroic from a very contemporary feminist perspective, because she went so far as to attack the church. Her book on the church reads like a page out of today's headlines. A lot of times married heterosexual women who have their economic lives softened with incomes and heterosexual acceptance do completely and utterly forget why the vote might be crucial to lesbians, who want to control the work world, and who want to stave off male supremacy in legislatures.
The very fact that hetero women live with men, and get money from men is crucial to understanding the past and present. Going back to our lesbian feminist origins, and our early passion for 19th century women helps us to see the complexity of poets.
Thanks again for everything you do, and we need to seriously consider how lesbians as a GROUP could actually pool money to support our sisters who write plays for us, who uplift us. If we can never seem to get our collective finances together for the greater visionary lesbian good, we need to think about this!