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Dark Matters is Susan Hawthorne’s latest novel. Susan is one of the most prolific lesbian authors and poets I know, as well as one of my favorite “synapsers.” She makes connections between art and history, between the personal and the political, between the mundane and earth-shaking… and when I read her, I feel my own brain building those bridges, expanding and deepening my understanding and appreciation of my own experiences.

The title of the book indicates just how deep Hawthorne is going with her story. “Dark matter” refers to the matter that composes about 84% of our universe. It is not made up of atoms. We know it is there, because we can observe its gravitational pull, but so far, nobody has been able to figure out what it is
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“Dark matter is almost imperceptible. Invisible and yet it takes up space. Like a lesbian in a room full of people. She too takes up space. But who sees her. Visible and yet not… It’s not that they are not there, but no one is paying attention. Social obliviousness…. Scientists try to measure the amount of dark matter in the universe. I want to measure the number of lesbians. Both are equally elusive. How do you spot a lesbian? Only a lesbian seems to have the right antennae for it, and if you do that someone for sure will say your measure is biased. No one seems to notice the bias that goes the other way or that heterosexuals are forever measuring heterosexuals and they haven’t even noticed that they  are doing it.”
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​Appropriately, Dark Matter is the story of the disappearance of a lesbian. In a secret dawn raid, Kate is abducted by anonymous government forces in Australia. She is imprisoned and tortured. We hear her story through her own voice in the pages of her prison diary. We hear other parts of her story through the voice of Desi, her niece, who is attempting to make sense of Kate’s life through her papers and by tracking down the history of her lover Mercedes, who was shot in bed with her the morning of the raid.
 
The prison diaries are fascinating and horrifying. Kate narrates the details of her torture, which includes rape, while carefully documenting her strategies for keeping herself sane during the ordeal. Her secret weapon is language. Desi notes how pain destroys language and describes Kate’s ideas of invention of language as a form of revenge against the torturers: “Her way of winning.”
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​If language is a way of winning, genealogy may be a way of prevailing. Dark Matters returns again and again to the theme of lesbian genealogy.
 
“That’s the thing about lesbians, it’s a kind of detective story that unwinds in scraps but half of the pages are shredded and the rest are so destroyed as to be unreadable. What we have left are fragments.”
 

Desi calls her discipline “Diagonal Genealogies.” Because, of course, lesbians don’t usually descend from lesbians. I think of my own diagonal lesbian genealogy, my own lesbian aunt. The “spinster schoolteacher” who actually lived with another woman for most of her adult life, raised that woman’s children, and put them through school. And then there are the diagonal lesbian literary genealogies I share with Hawthorne… Sappho, Woolf, Wittig, H.D…  And also her pantheon of goddesses.
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I am intrigued by Hawthorne’s exploration of genealogy. She references an emotional genealogy, as well as genealogies of memory.
 
“…those lists are helping me figure out the relationships, order of birth and all the pieces that go missing in family trees where there are only women to pass on the stories. On the most difficult to reach branch of the tree sits the lesbian.”
 
Dark Matters moves from a dystopian fictional “disappearing” of lesbians in Australia to the historical Chilean desparecidos under the regime of Pinochet. Desi, searching for her dead aunt’s lover, travels to Chile and visits the Museo de la Memoria y los Derechos Humanos (Museum of Memory and Human Rights). It is estimated that, under Pinochet, tens of thousands were imprisoned and tortured and an estimated 200,00 Chileans were driven into exile. Two thousand were executed. Many of these victims were secretly abducted and imprisoned. To the outside world, they simple “disappeared.”
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These references to the “disappeared” were especially resonant, because the “disappearance of lesbians” is currently the subject of blogs and magazine articles in popular culture. My friend Bonnie Morris wrote a book about the phenomenon: The Disappearing L: Erasure of Lesbian Spaces and Culture. Is it appropriate to compare this cultural erasure with the murder of the desparecidos of Chile and Argentina?
 
Desi makes connections between what happened to lesbians in Nazi Germany and what is happening currently to lesbians in countries where our freedoms are not protected. She notes how lesbians are called “disposables” in Columbia, and I think of the term “corrective rape,” and how liberally it has been executed against South African lesbians. Desi quotes from poem by Gill Hanscombe: “No one is proud of dykes… Only other dykes are proud of dykes.” 
​I experienced Dark Matters as a kind of deep and swift current that swept me up and carried me along. I am back in calmer waters now, but it has left me in a different place, and with a subtle momentum that was not there before.